040 DEEP PURPLE- MADE IN JAPAN

Recorded over three nights in August 1972, Deep Purple's Made in Japan was the record that brought the band to headliner status in the U.S. and elsewhere, and it remains a landmark in the history of heavy metal music. Since reorganizing with singer Ian Gillan and bassist Roger Glover in 1969, Deep Purple had recorded three important albums — Deep Purple in Rock, Fireball, and Machine Head — and used the material to build a fierce live show. Made in Japan, its selections drawn from those albums, documented that show, in which songs were drawn out to ten and even nearly 20 minutes with no less intensity, as guitarist Ritchie Blackmore and organist Jon Lord soloed extensively and Gillan sang in a screech that became the envy of all metal bands to follow. The signature song, of course, was "Smoke on the Water," with its memorable riff, which went on to become an American hit single. But those extended workouts, particularly the moody "Child in Time," with Gillan's haunting falsetto wail and Blackmore's amazingly fast playing, and "Space Truckin'," with Lord's organ effects, maintained the onslaught, making this a definitive treatment of the band's catalog and its most impressive album. By stretching out and going to extremes, Deep Purple pushed its music into the kind of deliberate excess that made heavy metal what it became, and their audience recognized the breakthrough, propelling the original double LP into the U.S. Top Ten and sales over a million copies. -ALLMUSIC.COM

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009 YES-FRAGILE

Fragile is the fourth album by the British progressive rock band Yes, released on Atlantic Records, catalogue 7211. It was the band's first album with keyboardist Rick Wakeman after the departure of Tony Kaye, and the first to feature cover art by Roger Dean, his work emblematic of both the band and progressive rock as a whole. Fragile was issued in the UK in November 1971, but was held back in North America for two months because of the chart momentum of The Yes Album. It peaked at #4 on the Billboard 200 during a stay of 46 weeks, and as Atlantic 2401 019 reached #7 in the UK album chart.

Work on the material began while Kaye was still in the band. In a 2006 interview, he said, "I did rehearse Fragile before I left. I left in the middle."[1] Four of the nine tracks feature full performances by the new line-up with Wakeman, three of which were of eight minutes length or longer. Its best known track, "Roundabout," was released in the United States in an edited version as a single. Rick Wakeman contributed to the writing of "South Side of the Sky" and "Heart of the Sunrise" by adding piano interludes to both songs, but wasn't credited due to contractual conflicts. He was instead promised more money by Atlantic studio executives, which he claims he never saw.

The remaining five tracks showcase the band members' individual talents. "Cans and Brahms" is an arrangement by Wakeman of the third movement from the Fourth Symphony in E minor by Johannes Brahms, his utilization of synthesizers adapted to classical works in vogue at the time, evidenced in efforts by Wendy Carlos and Isao Tomita. "We Have Heaven" is by Jon Anderson in which he sings all the vocal parts, a technique later used on his solo album Olias of Sunhillow. Bill Bruford's "Five Per Cent for Nothing" derives its instrumental passages from the rhythm line, while "The Fish" and "Mood for a Day" serve almost entirely as bass and guitar solo pieces for Chris Squire and Steve Howe, respectively.

Side one"Roundabout" (Anderson/Howe) – 8:30 "Cans and Brahms (Extracts from
Brahms' 4th Symphony in E Minor, Third Movement)" (Brahms, arranged Wakeman) –
1:38 "We Have Heaven" (Anderson) – 1:40 "South Side of the Sky"
(Anderson/Squire) – 8:02

Side two"Five Per Cent for Nothing" (Bruford) – 0:35 "Long Distance
Runaround" (Anderson) – 3:30 "The Fish (Schindleria Praematurus)" (Squire) –
2:39 "Mood for a Day" (Howe) – 3:00 "Heart of the Sunrise"
(Anderson/Squire/Bruford) – 11:27

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